Jean Rochefort

 ( 1930 Births ) 

Rochefort was nineteen years old when he entered the Centre d'Art Dramatique de la rue Blanche. Later he joined the Conservatoire National. After completing his national service in 1953, he worked with the Compagnie Grenier Hussenot as a theatre actor for seven years. There he was noted for his ability to play both drama and comedy film. He then became a television and cinema actor, and also worked as director.

After some supporting roles in Cartouche, Captain Fracasse and in Marvelous Angelique, Rochefort played his first big role with Annie Girardot as his wife and Claude Jade as his daughter in Hearth Fires in 1972. In this drama, he starred as a man who leaves his family for ten years before returning. In this film he played at 41 years old a father of adult children (the young Claude Jade was already 23). To appear older, he grew a moustache, his trademark, which he later removed only once, in 1996 for Ridicule.

Four years after Hearth Fires he was the leading star of the midlife crisis comedy Pardon Mon Affaire as a man who risks his married life with Danièle Delorme for an affair with Anny Duperey. Thanks to the success of this film, Rochefort became very popular. In 1972, he starred opposite Pierre Richard as Chief of Counter-Espionage, Louis Toulouse, in the Yves Robert comedy Le Grand Blond avec une chaussure noire, a role he reprised in the 1974 sequel Le Retour du grand blond, also directed by Robert. In 1998, he starred as "Fernand de Morcerf" opposite Gerard Depardieu in the mini-series Le Comte de Monte Cristo.

In the eighties, he became the narrator of the French version of Welcome to Pooh Corner, replacing Laurie Main. This made him popular with children at the time and Disney hired him to record several audio versions of their classic movies. In the 1990s, he returned to comedy with Les Grands Ducs where he played alongside two other actors of his generation with a similar career, Philippe Noiret and Jean-Pierre Marielle.

He was set to play the lead role in The Man Who Killed Don Quixote, after being found as "the perfect Quixote" by director Terry Gilliam. Rochefort learned to speak English just for the part. Unfortunately, amongst other production problems, he began suffering from a herniated disc. Unable to film for months, production was cancelled. A documentary, Lost in La Mancha, was made about the failed production.

In his thirties during the shooting of Cartouche, he discovered his passion for horses and equestrianism. He was a horse breeding since then and owned Le Haras de Villequoy. His passion led him to become a horse consultant for French television in 2004.

• 1953: Azouk by Alexandre Rivemale, staging Jean-Pierre Grenier, Théâtre Fontaine
• 1953: L'Huitre et la perle by William Saroyan, staging Jean-Pierre Grenier, Théâtre Fontaine
• 1953: Les Images d'Épinal by Albert Vidalie, staging Jean-Pierre Grenier, Cabaret La Fontaine des Quatre-Saisons
• 1954: Responsabilité limitée by Robert Hossein, staging Jean-Pierre Grenier, Théâtre Fontaine
• 1954: L’Amour des quatre colonels by Peter Ustinov, adaptation Marc-Gilbert Sauvajon, staging Jean-Pierre Grenier, Théâtre Fontaine
• 1957: Romanoff et Juliette by Peter Ustinov, staging Jean-Pierre Grenier, Théâtre Marigny
• 1957: L’Amour des quatre colonels by Peter Ustinov, staging Jean-Pierre Grenier, Théâtre de l'Ambigu-Comique
• 1958: Tessa by Jean Giraudoux from the work of Basil Dean and Margaret Kennedy, staging Jean-Pierre Grenier, Théâtre Marigny
• 1958: L’Étonnant Pennypacker by Liam O'Brien, staging Jean-Pierre Grenier, Théâtre Marigny
• 1960: Champignol malgré lui by Georges Feydeau and Maurice Desvallières, staging Jean-Pierre Grenier, Théâtre Marigny
• 1960: Le Comportement des époux Bredburry by François Billetdoux, staging by the author, Théâtre des Mathurins
• 1960: Génousie by René de Obaldia, staging Roger Mollien, TNP Théâtre Récamier
• 1961: Loin de Rueil by Maurice Jarre and Roger Pillaudin from the work of Raymond Queneau, staging Maurice Jarre and Jean Vilar, TNP Théâtre national de Chaillot
• 1962: Frank V by Friedrich Dürrenmatt, staging André Barsacq, Théâtre de l'Atelier
• 1964: Cet animal étrange by Gabriel Arout from the work of Anton Tchekhov, staging Claude Régy, Théâtre Hébertot
• 1965: La Collection and L’Amant by Harold Pinter, staging Claude Régy, Théâtre Hébertot
• 1966: La prochaine fois je vous le chanterai by James Saunders, staging Claude Régy, Théâtre Antoine
• 1969: Le Prix by Arthur Miller, staging Raymond Rouleau, Théâtre Montparnasse
• 1970: Un jour dans la mort de Joe Egg by Peter Nichols, staging Michel Fagadau, Théâtre de la Gaîté-Montparnasse
• 1971: Old Times by Harold Pinter, staging Jorge Lavelli, Théâtre Montparnasse
• 1982: L'Étrangleur s'excite by Éric Naggar, staging Jean Rochefort, Théâtre Hébertot
• 1985: Boulevard du mélodrame by Juan Pineiro and Alfredo Arias, staging Alfredo Arias, National Dramatic Center of Aubervilliers
• 1988: Une vie de théâtre by David Mamet, adaptation Pierre Laville, staging Michel Piccoli, Théâtre des Mathurins
• 1988: La femme à contre-jour by Éric Naggar, staging Jean Rochefort, Théâtre des Mathurins
• 1988: Histoire du soldat (The Soldier's Tale) by Igor Stravinsky, staging Jean Rochefort, Théâtre de Paris
• 1988: Le Carnaval des animaux musique Camille Saint-Saëns
• 1989: Une vie de théâtre by David Mamet, staging Michel Piccoli
• 1991: Histoire du soldat (The Soldier's Tale) by Igor Stravinsky, staging Jean Rochefort
• 1995: Oraison funèbre sur la mort de Condé by Jacques Bénigne Bossuet, music Jean-Baptiste Lully, direction Hervé Niquet, Royal Chapel of the Château de Versailles
• 1996: Le Petit Tailleur music Tibor Tibor Harsányi and Le Carnaval des animaux music Camille Saint-Saëns, Théâtre du Châtelet, Bruxelles
• 1998: Art by Yasmina Reza, staging Patrice Kerbrat, with Pierre Vaneck and Jean-Louis Trintignant, Théâtre Hébertot
• 2004: Heureux ? sketches by Fernand Raynaud, with Bruno Fontaine, Comédie des Champs-Élysées
• 2006: Mousquetaires de Richelieu, show of the Puy du Fou
• 2007: Entre autres, a one-man show with Lionel Suarez playing accordion, in which he pays a tribute to the authors who influenced him, from Roland Barthes to Jean Yanne, notwithstanding Fernandel, Paul Verlaine, Boby Lapointe or Primo Levi, Théâtre de la Madeleine
• 2007 at the Olympia: where he sang "Félicie aussi", a song by Fernandel, during the last three concerts of Vincent Delerm's tour 30 and 31 May 2007 and 1 June 2007

• Le Pont de la rivière Kwaï ( The Bridge over the River Kwai) by Pierre Boulle